University of Delaware
June 24 – 28, 2020
ThinkTank is a biennial event that includes facilitated discussions and intensive workshop forums that are designed to improve teaching at the college level. We bring together emerging educators, master educators, and administrators from around the country to expand the theory and improve the practice of teaching art in the 21st century. ITI also provides an Emerging Educator Fellowship.
All participants in ThinkTank11 must complete the online application to be eligible for the event.
The registration fee for TT11 will be $375. This fee will cover all event costs and some meals, participants will need to arrange for transportation and lodging.
REGISTER FOR TT11 HERE!
Hotel and Transportation
Think Tank 11: Arts and Humanities Education in the “Tech Hungry” Era
Break-Out Session Topics
1. Bottom Line / Front Line: Recruitment, Retention and the Impact of Workforce Needs and Enrollment Pressures on Classrooms and Curricula
In light of the recent closures, mergers, and restructuring of many independent art schools and programs such as the University of Wisconsin who decided to stop offering six liberal art majors, including two- and three-dimensional art, and history. What are the lessons, implications, and strategies that might be explored for both private and public art institutions? How might impacts and responses differ for schools and departments within large, R-1research universities as opposed to smaller liberal arts colleges? How does the pressure to recruit—and retain—students impact the classroom, teaching styles, and research? This session will explore these—and related topics—from cultural, social, economic and pedagogic perspectives.
2. A Green New Deal Art? What are the implications and demands of Climate Change on the Education and Practice of Art and Design?
There is a growing chorus amongst the arts community to be at the forefront of not merely highlighting environmental issues, but taking action. From groups such as the Green Art Lab Alliance (GALA), “a partnership between 18 European cultural organisations which aims to explore what environmental sustainability means for the visual arts and design,” to the Green Arts Web, “a resource for those who want to be more informed about the practices and theories of environmental art,” there are increasing calls for localization. What are the implications for travel to conferences, the materials we use in our classrooms, studios, and for our institutions concerning our carbon footprint? What is the implication for groups such as ThinkTank itself? A more regional or even localized structure? Virtual presentations through robust on-line platforms? When approaching the classroom, curriculum, and creative practices should we also begin to explore environmental sustainability and green practices? How could/would/should these environmental green-friendly practices impact the visual arts and design?
3. The “Socially” Constructed Self: Expression in the Dis- and Hyper-Connected Era
Much—perhaps too much—has already been said about the disconnect between our hyper-connected virtual, digital lives and our decreasingly face-to-face “real” lives. Studies have shown that “‘Hyperconnection’ is related to irritability, anxiety, insomnia, and isolation due to extending on-work hours. It is caused by the erosion of barriers between private and work life, also contributing to elevated patterns of sedentary behavior and mortality.” Artists have long understood what a 2010 study published in the American Journal of Public Health stated: “there is evidence that engagement with artistic activities, either as an observer of the creative efforts of others or as an initiator of one's own creative efforts, can enhance one's moods, emotions, and other psychological states as well as have a salient impact on important physiological parameters.” How can we use art to increase connectivity? Develop a sense of community?
4. Traditional” Foundations with a Twist? Revisiting, Revising and Reimagining Foundations in the Ever-Evolving Digital Era
What is the relevance of “traditional” foundations when encountering UI-UX design, graphic design/ visual communications, and extended media? Are digital platforms only new tools, or are they new ways of thinking, perceiving, defining and interacting with the world? While many still call digital technologies “new media” hold to Bauhaus traditions and Gestalt perceptual theories, do “enhanced” humans need new pedagogies for a new art and design thinking? If colleges and universities are to “seize the upside of disruption” what are the investments and risks we must undertake for the long term while remaining efficient, relevant and competitive?